PRESS RELEASE

"Byzantium and the Arabs"

The Museum of Byzantine Culture under the cooperation framework of the five museums of Thessaloniki "5M Movement", participates in the 2011 3rd Biennale events with the temporary exhibition entitled "Byzantium and the Arabs".

 Focusing on the revelation of aspects of both the Byzantine and Arab cultures, the exhibition "Byzantium and the Arabs" will present the relations and interactions between Byzantium and the Arabs from the 7th c. A.D. till 1453 (capture of Constantinople by the Ottomans).

The identity of the Arabs, the birth of the new religion of Islam and the caliphates, the great expansion outside their peninsula, the sieges of Constantinople and the capture of Thessaloniki by them in 904 will all be represented in topics of the exhibition. The fights between Byzantines and Arabs and the emergence of the tradition on the "Akrites" and especially Digenis Akritas will also be among the topics of our exhibition.

Alongside the wars, the interactions of both civilizations in the fields of letters, science and art will also be represented.

The exhibition will be comprised of over a hundred objects, such as icons, manuscripts, jewelry, coins, ceramics and sculptures from the collections of the Museum of Byzantine Culture, as well as from collections of public and private museums and Ephorates of Antiquities in Greece and will be supported by visual material. The exhibition will be open from September until December 2011.

During the duration of the exhibition they will be held lectures by historians, educational programmes for primary school pupils, concerts with arabic music, film screening etc.

 This exhibition "Byzantium and the Arabs" is part of the project "Thessaloniki: Crossroads of Civilizations" organized by the Hellenic Ministry of Culture and Tourism. The project's topic for the year 2011 is Middle East.


Thessaloniki, March 10, 2011

 ANNOUNCEMENT

3RD THESSALONIKI BIENNALE OF CONTEMPORARY ART

«OLD INTERSECTIONS - MAKE IT NEW»

September-November 2011

 

The 3rd Thessaloniki Biennale of Contemporary Art presented under the general title «Old Intersections - Make it new» will be open to the public from mid-September to the end of November in Thessaloniki.

The 2011 Biennale will differ from its predecessors not only in terms of its focus of interest and time it will take place, but also in respect of the participating agencies. Following on the founding of the Thessaloniki 5 Museums Movement (Archaeological Museum of Thessaloniki, Museum of Byzantine Culture, Teloglion Foundation of Art, Macedonian Museum of Contemporary Art, State Museum of Contemporary Art), the 3rd Biennale will represent the first official joint endeavour by the Movement to support the festival, under the guidance of the State Museum of Contemporary Art - an arrangement which will allow the event to develop even closer links with the host city. Apart from the five museums, a number of other cultural and educational agencies will also be involved. The Programme will feature exhibitions held mainly in the facilities of the five museums, but also in other venues not usually serving as exhibition spaces. It will comprise both a Main and a Parallel Programme of Events.

The project is funded under the Operational Programme Macedonia-Thrace 2007-2013 and is implemented by the State Museum of Contemporary Art. It is co-financed by the European Union (European Regional Development Fund).

The curators of the Main Programme will be Paolo Colombo (Italy), Mahita El Bacha Urieta (Lebanon, Spain) and Marina Fokidis (Greece). They were selected by the members of the 3rd Biennale International Advisory Committee, namely Catherine David (art historian - curator), Maria Rosa Girace Pieralisi (Director of Italian Cultural Institute of Thessaloniki), Jessica Morgan (contemporary art curator), Yannis Kounellis (artist) and Denys Zacharopoulos (art theorist). The overall direction of this year’s event is to be undertaken by Katerina Koskina, Chairman of the Board of Trustees of the State Museum of Contemporary Art, art historian, museologist, who is responsible for planning the 2011, 2013 & 2015 Biennales.

This years Biennale, as well as those in 2013 and 2015 – to be funded from the National Strategic Reference Framework 2007-2013 – will focus their attention on the region of the Mediterranean, the cradle of European civilization, concentrating on the region in general. In the 3rd Biennale there will be a special thematic unit dedicated to Arab art and the art of Israel, part of the Crossroads of Civilization programme of the Ministry of Culture and Tourism being organized for Thessaloniki in 2011.

The exhibitions and events in the Main and Parallel Programmes of the 3rd Thessaloniki Biennale of Contemporary Art, (as well as the ideological framework laid down by the curators), the associated agencies and venues for the exhibitions will all be announced at a press conference to be held in Thessaloniki at the end of March 2011, in the presence of the curators and members of the International Advisory Committee.

 

INFO

ΥΠΟΥΡΓΕΙΟ ΠΟΛΙΤΙΣΜΟΥ ΚΑΙ ΤΟΥΡΙΣΜΟΥ

ΚΡΑΤΙΚΟ ΜΟΥΣΕΙΟ ΣΥΓΧΡΟΝΗΣ ΤΕΧΝΗΣ

Κολοκοτρώνη 21, Σταυρούπολη 56430, Θεσσαλονίκη

Τ: 2310 589140-1 & 3, F: 2310 600123

www.greekstatemuseum.com,  info@greekstatemuseum.com

press@greekstatemuseum.com

 

Architecture as Icon


The international exhibition "Architecture as Icon. Perception and representation of Architecture in Byzantine Art", the first on this theme, will be presented from November 6th 2009 to January 31st 2010 at the Museum of Byzantine Culture. Offering new ways of looking at Byzantine art and architecture, the exhibition is the crowning of a joint research program carried out by the European Centre for Byzantine and Post-Byzantine Monuments and Princeton University, and explores the meanings and perception of architectural form and space as represented in Byzantine art. The visitors will have an opportunity to see 80 art objects including icons, manuscripts, ivories, metal and stone objects as well as models of both secular buildings and churches chronologically spanning 15 Centuries. The works of art come from thirty of the most prominent museums and collections in Greece and ten other countries, including the Benaki Museum (Athens); the Procuratoria di San Marco (Venice); the Metropolitan Art Museum (New York); and the State Hermitage Museum (St. Petersburg). Supported by explanatory texts and illustrative material, the works on display reveal spirituality that marks Byzantine architecture; the richness in interpretations of architectural forms and space -especially those at of the Byzantine church architecture, which reflects symbolic notions such as the celestial hierarchy and the relation between man and divine power; the two-dimensional representations of reality and the emphasis on the imaginary, as well as the encounter of these concepts with the Renaissance ideas and principles.

After its presentation in Thessaloniki the exhibition co-organized by the European Center for Byzantine and Post-Byzantine Monuments and the Princeton University Art Museum, will be mounted at the University of Princeton Art Museum, from March 6th to June 7th 2010.

  

 

 

 

 

 

 

 

 


The "adventures" and successive uses of objects that today belong in the collections of the Museum of Byzantine Culture, or can be seen in monuments in Thessaloniki, are presented in the desk-diary entitled "Reused", published by the Museum and its Friends Association.

Through the introduction by the archeologist Evaggelia Aggelkou and impressive illustrations, the diary sheds light to different moments in the life of objects from the Early Christian, Byzantine and Postbyzantine periods, which have been reused, converted into something else, repaired or recycled.

Coins that have been "overstruck" –i.e. old coins that were struck again with a new image; broken plates and jars that have been mended with lead; pieces of broken vessels that have been used as loom weights or as stoppers for wine or oil amphorae; metal and broken glass objects that were melted down in furnaces so that new objects could be created from the molten material; broken pieces of marble that were used to produce lime; coins that have been used for jewellery as well as dosserets that have been converted to well-curbs or to basins for fountains, all reflect Byzantine people's spirit of economy both in homes and in society at large.

«Any object in a museum's collections has been used for something other than its original purpose, in virtue of the fact that it has been museified», notes the President of the Museum of Byzantine Culture Friends Association Prof. N. Nikonanos.

«Yet these artefacts have their own "life stories" to tell, of eventful journeys through space and time, different uses and users, changing values and meanings. This year's diary takes a look at what happened to certain objects from the Museum of Byzantine Culture after they had served their original purpose but before they became museum pieces.»