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The Early Christian or Protobyzantine period (4th-7th c.) begins with the founding of Constantinople by Constantine the Great in 330 and the transfer there from Rome of the capital of the Roman Empire. This eastward shift of the Empire's centre of gravity, as also the adoption of Christianity as the official state religion, changed the face of the Empire, emphasising its religious dimension. It was a gradual change, and aspects of the previous period still permeated all sectors of life.


General view
Room 1: Early Christian Churches
The support which Constantine the Great (324-37) gave to Christianity and its recognition by Theodosios the Great (379-95) as the official state religion strengthened the role of the Church. The need naturally arose to create a devotional space that was worthy of the new situation. The principal type of Early Christian church was the basilica, a rectangular building divided lengthwise into aisles by colonnades, with an apse at the east end, and a roof of timber.

General view
The exhibition makes its approach to the architecture and decoration of Early Christian churches through a selection of sculpted architectural members, liturgical vessels, mosaics, and wall paintings, most of which come from churches in Thessaloniki .

Closure slab, 5th-6th cc.
Closure slab, 5th-6th cc.
Closure slabs occupied the spaces between the columns, thus separating the nave from the aisles. Together with piers, they also formed a chancel barrier, the templon, which separated the sanctuary from the rest of the church. In this period the barrier was low and in no way resembled the high Postbyzantine iconostasis.

Mosaic, 6th c. Detail of the mosaic floor of a church in Thessaloniki
Mosaic, 6th c. Detail of the mosaic floor of a church in Thessaloniki
The decoration of churches was determined to a great extent by the social and economic conditions in the various areas. So it was richer and more elaborate in the large urban centres, and poorer and simpler in the outlying areas. In the provinces, churches were usually floored with mosaic and the walls were decorated with frescoes; while the more luxurious churches tended to have marble floors and mosaics and marble revetments on the walls.

Page of a gospel from a purple codex, 6th c.
Page of a gospel from a purple codex, 6th c.
The codex was first unbinded possibly at the time of the Crusades. The larger part remained in Samursakli in Cappadocia until 1896, when it was purchased by Tsar Nicholas II and ended up in St Petersburg . One folio, however, was kept behind in Samursakli as a memento and brought to Greece in 1922 by a family of refugees, from whom the Archaeological Service purchased it in 1966.

Silver reliquary from Nea Iraklia in Halkidiki, late 4th c.
Silver reliquary from Nea Iraklia in Halkidiki, late 4th c.
Reliquaries were made of precious materials (gold, silver, ivory) and contained relics of martyrs and saints or objects which had been sanctified by contact with relics, such as blood-soaked earth from a saint's tomb. They were placed on the altar or underneath it when the church was consecrated.